Lyman has been a practicing sculptor for over 40 years, with a unique knowledge of materials and their application. The past 19 years have primarily been focused on creating Wind Sculptures™, which are all produced by hand. The Wind Sculptures™ are innovative and artistic with a high degree of mechanical integrity; they are well respected for their quality craftsmanship.
Lyman's sculptures have an organic and mystical theme in keeping with his life philosophy. As an artist, he can express his concern for the survival of the planet through a creative medium.
Lyman has been a practicing sculptor for over 40 years, with a unique knowledge of materials and their application. The past 19 years have primarily been focused on creating Wind Sculptures™, which are all produced by hand. The Wind Sculptures™ are innovative and artistic with a high degree of mechanical integrity; they are well respected for their quality craftsmanship.
Lyman's sculptures have an organic and mystical theme in keeping with his life philosophy. As an artist, he can express his concern for the survival of the planet through a creative medium. Disquieted about the durability of our culture's present systems, in relation to climate changes, Lyman's strongest wish is to have his artwork symbolize a move toward better solutions in relationship to the earth.
By placing the sculptures in settings dependent on natural elements for movement, opportunities are provided for participants to think about their surroundings. Lyman's sculptures are organic and natural like vegetation and are enjoyed best in interactive settings where they are viewed over time.
The receptivity to his work has allowed Lyman to create an inspiring modern studio in Southern Utah with representation at fine art galleries around the country. In addition, public and private installations exist throughout the United States, Canada, Europe and Australia. Gallery Representation »
Lymans' early work was significantly more representational, with a wonderful mix from traditional bronzes to small mobiles, and also included several public fountains. Believing that there are a variety of ways to accomplish anything, his process has continued to evolve and maintain originality. Currently, Lyman is going back to what he loves best: combining a broad range of materials and techniques to freely create movement and form.
Like Norman Rockwell, Seuss personally created every rough sketch, preliminary drawing, final line drawing and finished work for each page of every project he illustrated. Despite the technical and budgetary limitations of color printing during the early and mid-twentieth century, Dr. Seuss the artist was meticulous about color selection. He created specially numbered color charts and elaborate color call-outs to precisely accomplish his vision for each book. Saturated reds and blues, for example, were carefully chosen for The Cat in the Hat to attract and maintain the visual attention of a six-year-old audience. By the time Seuss’s book career took off, sharp draftsman skills were evident in drawings. His ability to move a storyline ahead via illustrations filled with tension, movement and color became a hallmark component of his work, and the surreal images that unfolded over six decades became the catalyst for a humorous and inspired learning experience.
Artist Leo Rijn, the inaugural sculptor for the Dr. Seuss Tribute Collection I, was selected to launch this project due to his prized work with some of today’s top talent in the world of film, entertainment and the visual arts (including Tim Burton, Ang Lee and Steven Spielberg). Rijn has been identified as one of today’s brightest sculpting talents because of his ability to breathe life into the written word and successfully transform two-dimensional ideas into three-dimensional works of art. Universal Studios commissioned Leo to develop and oversee the creation of numerous maquette scale models for the Monumental Dr. Seuss Sculptures at Seuss Landing in Orlando, Florida. Leo was instrumental in the art direction for many of the sculpted characters and buildings now on display at this permanent Seuss attraction. His strikingly accurate Seuss works embody a masterful and intuitive Seussian sensibility, establishing him as a leading talent in interpretive sculpting.
Seuss embarked on an ingenious project in the early 1930s as he evolved from two-dimensional artworks to three-dimensional sculptures. What was most unusual for these mixed-media sculptures was the use of real animal parts including beaks, antlers and horns from deceased Forest Park Zoo animals where Seuss’s father was superintendent. Unorthodox Collection of Taxidermy was born in a cramped New York apartment and included a menagerie of inventive creatures with names like the “Two Horned Drouberhannis,” “Andulovian Grackler,” and “Semi-Normal Green-Lidded Fawn.” Shortly after Seuss created this unique collection of artworks, Look Magazine dubbed Seuss “The World’s Most Eminent Authority on Unheard-Of Animals.” To this day, Seuss’s Unorthodox Collection of Taxidermy remains as some of the finest examples of his inventive and multi-dimensional creativity.
Illustrator by day, surrealist by night, Seuss created a body of irrepressible work that redefines this American icon as an iconographic American artist. Yet, the Secret Art often shows a side of the artist that most readers, familiar with him through his classic children’s books, have never seen. This collection, created over a period of more than 60 years, encompasses the entirety of Seuss’s multi-dimensional talent. The artistic golden thread highlighted throughout this collection is apparent in each wildly imaginative and surreal Secret Art image. The Secret Art of Dr. Seuss is an inimitable collection of artworks created at night for his own personal enjoyment. These works were rarely, if ever, exhibited during his lifetime and provide a deeper glimpse into the art and life of this celebrated American Icon.
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